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SPRING SESSION 2008
See registration information listed below workshops.
Supply lists for classes are also listed at the bottom of this page.
To register online, click on the
underlined price.


Still Life Oil Painting
Katherine Ann Hartley
6 weeks / Mondays, April 28 - June 9 / 12 - 3 pm
Members: $135   Non-members: $150     All Levels
No class May 26

    This class will focus on the abstract qualities of light and shadow, and how they work together to create form and structure in a painting. The student will learn to mass shapes and forms, and see the painting emerge from dark to light on the canvas. Using only natural north light, the painter will experience the methods and excitement of the early oil painters. The methods will embue everyday objects with mystery and elegance.

Intermediate Digital Photography
Stan Godwin
6 weeks / Mondays, April 28 - June 9 / 3 - 5 pm
Members: $90   Non-members: $110
No class May 26
    Students with basic DSLR knowledge and/or students from Stan's previous classes are welcome. Knowledge of shooting and handling RAW images is mandatory! This will be a shooting class; assignments given weekly. Critiques of prints will be held at each class meeting except the first session. The ideal student has a photo-quality inkjet printer and PhotoShop or PhotoShop Elements on a home computer; a laptop to bring to class is encouraged. Advanced composition and visual perception will be discussed. In-class demonstrations will include: digital asset management using Adobe Lightroom, color management of inkjet printers, and archival print mounting and window matting for gallery display. Materials list: Digital SLR camera and lenses; owners manual for your camera; memory cards; charged batteries. Laptop with PhotoShop installed is optional.

In Pursuit of Creativity
Christy J. King
6 weeks / Tuesdays, April 29 - June 3 / 10 am - Noon
Members: $110   Non-members: $130  
(includes $20 materials fee)
   In pursuit of creativity, artists not only produce work, but observe, listen, read, talk to others, and above all, remain open to what is new, different, challenging and spontaneous. The path is not always easy, but usually rewarding and always a learning experience. In this class, students will discover ways to look at one thing and see another; create art with unusual materials; discuss art with visiting guests; and become more attuned with their own quest for the creative spirit.

Painting Composition
J. Vincent Diggs
6 weeks / Tuesdays, April 29 - June 3 / 3 - 5 pm
Members: $90   Non-members: $110    
All Levels
   This course will concentrate on the composition of art work. Learn to make your objective or non-objective art stronger by making better decisions based on sound fundamentals. Students should bring artworks they are creating, and an open mind.

Oil Painting
J. Vincent Diggs
6 weeks / Tuesdays, April 29 - June 3 / 6 - 8 pm
Members: $90   Non-members: $110    
All Levels
    Learn techniques of oil painting with a hands-on approach. Learn to paint on the form, see color relationships, learn to use intervals, line quality, speed and texture. Students need to bring their own materials. Classes will be full of conversation and critiques.

Clay Handbuilding - Functional Forms
Caitlin Nesbit
6 weeks / Tuesdays, April 29 - June 3 / 10 am - 1 pm
Members: $210   Non-members: $230  
(includes $45 materials fee)
    Students will explore the versatility of clay by creating objects that are useful in everyday life. This is a class for beginners where basic techniques involved in handbuilding will be introduced. Students can create forms that fit individual needs - perhaps a decadent dessert bowl or a box for jewelry, or any objects that will enhance life!

Wheel-Thrown Pottery for High School Students
Nat Doane
6 weeks / Tuesdays, April 29 - June 3 / 6 - 8 pm
Members: $155   Non-members: $175   (includes $45 materials fee)
    Specifically for high school students, this class will cover the fundamentals of using a potter's wheel. Students will learn basic visual and technical skills involving ceramic forms. With demonstrations and individual assistance, students will develop skills using the potter's wheel to create functional pieces such as vases, cups and bowls.

Water Media Painting
Karen North Wells
6 weeks / Wednesdays, April 30 - June 4 / 9:30 - 11:30 am
Members: $90   Non-members: $110    All Levels
    Spring is a good time for starting something new in painting! Trees are budding, grass is turning green and flowers are blooming. Learn the technique of watercolor painting and the principles of art by observing Karen paint demonstrations at the beginning of every class using spring flowers, or photos of landscape and seascape as subject matter. If you prefer, you can also paint in acrylic or water-based oils. Students are responsible for their own materials, plus props whether they be flowers and fruit or landscape photos. A group critique will be given at the end of the class.

Drawing from Still Life
Michael Giaquinto
6 weeks / Wednesdays, April 30 - June 4 / 3 - 5 pm
Members: $90   Non-members $110
    This class is for those who have drawn before and want more out of a drawing class, and want to improve their drawing skills with longer time devoted to drawing still life. Learn the fundamentals and basic elements in drawing from still life by working on three major still life arrangements, rendering values and developing understanding and the use of line. Drawing ability increases as greater awareness develops. Prior drawing experience is required; matting and framing of finished work will also be discussed. Materials needed: 18" x 24" drawing pad; HB, 2B, 4Band 6B pencils; vine charcoal; gum or kneaded eraser.

Art to Start
Christy J. King
6 weeks / Wednesdays, April 30 - June 4 / 6 - 8 pm
Members: $110   Non-members: $130 
(includes $20 materials fee)
    This class is designed for those who would like to try art lessons, but are unsure where to begin. Learn about the fundamentals and elements of art, and discover a variety of materials used in artistic expression: pencils, charcoal, ink, watercolor and oils. Explore the wonderful possibilities of drawing and painting with basic lessons in using these mediums.

Enameling
Lois Grebe
6 weeks / Thursdays, May 1 - June 5 / 10 am - 12:30 pm
Members: $150   Non-members: $170  
(includes $35 materials fee)
    Become acquainted with the ancient art of enameling-- the process of fusing powdered glass on metal. Enamels are very fine grains of colored sand that are fused to metal at about 1500 degrees Fahrenheit; many layers and firings are needed to produce rich color and depth. Students will use copper and silver to create jewelry and/or decorative pieces. Some of the techniques covered include cloisonne, sifting, stencils and sgraffito. This medium will intrigue, inspire and expand creative vision.

Printmaking: Drypoint with Chine Colle
Leslie Kramer
6 weeks / Thursdays, May 1 - June 5 / 1 - 3 pm
Members: $110   Non-members: $130   (includes $20 materials fee)

    Learn drypoint, one of the most direct printmaking methods, combined with chine colle, an elegant method of adding color to your prints without using ink. Lines will be drawn directly on plexiglass or copper plates with a pointed stylus to create the image. Japanese rice paper and found papers will be used as well as painterly techniques of monprinting to add color and texture to the prints. Students will learn how to print a small edition of work and the proper labeling of prints. Students may bring line drawings to the first class, but sketches will also be made during class time. No previous experience required.

Dry Pastels
Peter Richenburg
6 weeks / Thursdays, May 1 - June 5 / 6 - 8 pm
Members: $90   Non-members: $110    All Levels

    In this class you will learn the basics of pastel. Instruction will include various methods of application to achieve exciting painterly effects. How to begin, proceed and finish a painting will be covered as well as avoidance of and overcoming common problems. After initial instructions and demonstrations, students will work from their own photographs with ample personal attention from the instructor who will encourage the pursuit and development of a personal style.

Wheel-Thrown Plates and Platters
Kim Holl
6 weeks / Thursdays, May 1 - June 5 / 6 - 8 pm
Members: $155   Non-members: $175   (includes $45 materials fee)

    In this course, students will learn to use the fundamentals of throwing to create a dinner plate and platter. Through demonstration, reviewing basic throwing techniques and individual assistance, students will learn the skills to create these forms.

Discovering Film: Great Films That Never Found an Audience
Eric Hart
6 weeks / Thursdays, May 1 - June 5 / 6 - 8:30 pm
Members: $90   Non-members: $110
   For many different reasons, these seldom seen, yet extraordinary films never captured a significant audience. As a result, they have disappeared into obscurity. Participants will have the opportunity to view the films and then discuss their merits and why they never succeeded at the box office. Refreshments will be served at each class.
    Thursday, May 1
Funny Bones: Director Peter Chelsom (1998)
Tommy Fawkes wants to be a successful comedian but his Las Vegas debut is a failure. He goes back to Blackpool, UK, where his father (also a comedian) started and where he spent the summers of his childhood. He starts to search for a partner, a comic relief, with whom he can be famous. Starring Jerry Lewis and Oliver Platt.
    Thursday, May 8
One False Move: Director Carl Franklin (1993)

After an L.A. drug deal leads to blood and carnage, the perpetrators end up in small town Arkansas where the leader Ray contacts his ex-girlfriend. Two L.A. detectives in pursuit soon find themselves out of sorts away from the big city. Chief Dale “Hurricane” Dixon sees his chance to impress and achieve his dream of a move to the big city, but his Hicksville approach leads to mockery and derision. Keeping important information from the two officers, he tries to play clever and capture the criminals himself. Classic neo-noir.
    Thursday, May 15
The 25th Hour: Director Spike Lee (2002)

The clock is ticking on Monty Brogan’s freedom - in 24 hours he goes to prison for seven long years. Once a king of Manhattan, Monty is about to say goodbye to the life he knew - a life that opened doors in New York’s swankiest clubs but also alienated him from the people closest to him. In his last day on the outside, Monty tries to reconnect with with his father, who has never given up on his son, and gets together with his closest friends from the old days, Jacob and Slaughtery. Also in the mix is his girlfriend, Naturelle, who might (or might not) have been the one who tipped off the cops. Monty’s not sure of much these days. But with time running out, there are a lot of choices to be made.  Powerful performances by Phillip Seymour Hoffman and Edward Norton.
    Thursday, May 22
Journey of Hope: Director Xavier Koller. (1990)
In a village in eastern Turkey, tales of the economic success of Turks in Switzerland inspire Haydar to convince his wife Meryem that they must go. He sells their livestock and small plot of land in exchange for passage for two. He wants to leave their seven children in the care of the eldest and his parents; his father advises him to take one son to be educated in Europe, as economic insurance. The three set off for Istanbul, Milan, and Switzerland, stowing away on a ship. At Lake Como, they pay the rest of their money to unprincipled men who abandon them at an Alpine pass before a blizzard. Father and son are separated from Meryem. Will anyone reach the land of promise? Academy Award Winner as Best Foreign Language Film.
    Thursday, May 29
A Passion in the Desert: Director Lavinia Currier (1998)
Young French officer Augustin Robert escorts artist Jean-Michel Venture de Paradis to Egypt during Napoleon’s Egyptian campaign. Napoleon sent de Paradis to record Egypt’s great monuments and temples that were destroyed by French soldiers in acts of barbarism. During combat, Augustin and Jean-Michel are separated from their regiment, and they start wandering through the desert fighting for their lives. In one of the canyons, Augustin meets a leopard he names Simoom and a strange bond between them occurs.
    Thursday, June 5
If Turtles Could Fly: Director Bahman Ghobadi (2005)

This film is set in Ghobadi’s native Kurdistan on the eve of the American invasion of Iraq. Thirteen-year-old Soran is known as “Satellite,” for his installation of dishes and antennae for local villages looking for news of Saddam. He is the dynamic leader of the children, organizing the dangerous but necessary sweeping and clearing of the minefields, and subsequently arranging trade-ins for the unexploded mines. The industrious Satellite falls for an unlikely orphan, a sad-faced girl traveling with her brother who appears to have the gift of clairvoyance. The siblings are care-taking a three-year-old, whose connection to the pair is discovered as harsh truths are unveiled.

Wheel-Thrown Pottery
Nat Doane
6 weeks / Fridays, May 2 - June 6 / 10 am - 1 pm
Members: $210   Non-members: $230   ($45 materials fee included)

    This pottery class will cover the fundamentals of “throwing” on a potter’s wheel. Students will be introduced to the basic visual and technical issues involving ceramic forms. Through demonstrations and individual assistance, Nat will help each student develop the skills using a potter’s wheel to create functional forms such as cups, bowls and vases.

 

Painting Oils with Primary Colors
Lance Walker
6 weeks / Fridays, May 2 - June 6 / 1 - 4 pm
Members: $90   Non-members: $110      All Levels
    In this class, students will learn to simplify the painting experience using the three primary colors, red, blue, yellow, with white. Lessons will include setting up and maintaining an organized palette, understanding the color wheel, color temperature, mixing secondaries, brush handling, paint mediums and canvas preparation. Students will practice various elements of a landscape and incorporate those elements into a finished painting.


SPRING & SUMMER WORKSHOPS


Hand-Painted Floor Cloths
2 days / Sundays, June 1 & 8 / 1 - 4 pm 
Members: $145   Non-members: $165 
(includes materials fee)
    Floor cloths, enjoying a resurgence of popularity, can be made with traditional Early American
designs, or a more modern touch. Create your own unique floor cloth using acrylic paints, stencils or your own hand-painted imagery on a 2’ x 3’ prepared floorcloth. Michael will discuss the history and uses of floorcloths, show examples, and instruct you in the complete process of creating a durable, functional floor cloth. Hemming and preservation will also be discussed. Floor cloth for each student will be provided; other materials needed are listed below.

Your Art-Full Life: A Legacy Writing Workshop
Gwynne W. Guzzeau
2 days / Tuesday, June 3 and Thursday, June 5 / 1 - 3 pm
Members: $45   Non-members: $60
Whether you make art or just like to look, this workshop guides you through a series of individual writing and small group reflection activities to identify the creative and art-centered experiences that add meaning to your life. You will create a written expression of your own artistic heritage and develop a plan for sharing your legacy with others.

Watercolor Workshop
Kely Knowles
Wednesday, June 11 / 10 am - 4 pm
Members: $65   Non-members: $85
    Kely Knowles, a frequent, popular watercolor instructor at CCMA, will demonstrate the process she uses to complete her watercolor paintings. She will discuss the use of thumbnail sketches to compose shapes and value patterns, preliminary paintings, and the finished work of art. Students will have time to go through the process as well as receive individual instruction.

Paintings & Plein Air Art Instruction
David P. Curtis
3 days / June 20 - 22 / 9 am - 4 pm
Members: $300   Non-members: $325
    David P. Curtis is a New England artist who has been teaching the art of plein air painting for 15 years. Curtis—who paints primarily outdoors himself—believes that plein air painting is predominantly about the art of seeing. In his teaching, he strives to inspire, as well as instruct, students in the fundamentals of painting outdoors, to interpret light and atmosphere using color, brush and canvas. Curtis also stresses the art of composing from nature with its ever-changing moods of light and weather. This offers students, whatever their artistic experience, a challenge plus the stimulus to create their own work of art. The workshop day will begin with an on-location demonstration, after which students will receive the benefit of Curtis’s plein air painting experience through individual critiques.

Drawing Workshop
Don Beal
Saturday, July 19 / 10:30 am - 4:30 pm
Members: $65   Non-members: $85
    This class will do multiple drawings from a still life arrangement to develop ways of seeing and expressing the observed world through the use of formal visual language. Each drawing seeks to go past superficial appearances, and gain a deeper understanding of what is being seen. Examples of other artists will be used to explore what is possible. The goal is not to generate a “finished” drawing, but to broaden ways of seeing and expressing a visual experience.

Sailor's Valentines: Two Workshops
Sandy Moran


August 9 & 10 / 10:30 am - 5 pm; 12:30 - 5 pm   Enrollment is closed!
Members: $700   Non-members: $725
    The August Workshop will focus on texture and design. The students will create a valentine using many different shades of white and cream sea shells. A handmade mahogany case, sea shells, tools and all other materials are provided.

September 9 & 11 / 9:30 am - 3:30 pm
Members: $700   Non-members: $725

    The September Workshop will study and practice shapes and applications of various sea shells as well as various methods of creating flowers from shells. The students will create a valentine using a varied color palette. A handmade mahogany case, sea shells, tools and all other materials are provided.

Sea, Sand & Sky: Pastel Workshop
Robert Carsten,
PSA
Saturday & Sunday, September 6 & 7 / 9:30 am - 4:30 pm
Members: $250   Non-members: $275    All Levels

    The motif of beaches and coves has been a strong attraction to artists over the centuries. This fun, energetic and educational workshop will focus on achieving a multitude of atmospheric effects, compositions and color notations in small, rapid studies, which in themselves can be breathtaking achievements. Robert will demonstrate and discuss pointers in creating enlarged, dynamic pastel paintings from visual information garnered from these small works. He will also discuss how to avoid the pitfalls in taking photo references, getting the most from on-site work, and how to use both together to create stunning, well-composed work. Techniques, practical advice, critiques and lots of painting time will be available. Weather permitting, the class will work outside (plein air).

Landscape Painting in Oils
Robert Douglas Hunter
Tues, Wed, Thurs, September 9 - 11 / 9:30 am - 4:30 pm
Members: $500   Non-members: $525

Three days of painting with Robert Douglas Hunter will be devoted to better enabling the student’s ability to see nature as a whole, with all of the parts related to the overall view. In other words, the definition of an impressionist observation. The workshop will be held in Walpole; directions will be given upon registration.

SUMMER CLASSES

Children's Book Illustration
Martha Zschock
4 weeks / Thursdays, July 10 - 31 / 6 - 8 pm
Members: $65   Non-members: $80
    Everyone seems to have a children's book idea! This four-week course will let those stories take chape with the exploration of the art of children's book illustration. Experiment with page layouts, designs that work with text, and how illustration enhances the story. Students are encouraged to use their favorite medium to develop ideas, design storyboards, and create finished illustrations. Bring your own ideas to work on or be inspired! Pencils, colored pencils, sketch pads will be used. Other materials will be discussed, but wait to purchase items you feel will best help your project.

Wheel Thrown Pottery: Two Classes
Nat Doane
8 weeks / Thursdays, July 10 - August 28 / 6 - 8 pm
Members: $210   Non-members: $230   (includes $45 materials fee)
    This pottery class will cover the fundamentals of “throwing” on a potter’s wheel. Students will be introduced to the basic visual and technical issues involving ceramic forms. Through demonstrations and individual assistance, Nat will help each student develop the skills using a potter’s wheel to create functional forms such as cups, bowls and vases.

7 weeks / Fridays, July 11 - August 22 / 1 - 4 pm
Members: $250   Non-members: $270    (includes $45 materials fee)

Class description is same as above.

Basic Digital Camera 101
Stan Godwin
4 weeks / Mondays, August 4 - 25 / 3 - 5 pm
Members: $65   Non-members: $80
    Just got your new digital camera? Feeling a little overwhelmed by all the buttons and choices? This class will concern itself with the basic use of digital cameras, how to manage all those new digital images, and how to print them at home or at your local photo printer. Discussion on the proper exposure, basic composition and just about everything that's confusing you. Questions are encouraged! Bring to class: digital camera with owner's manual, memory cards, charged batteries.

A Passion for Opera: A Celebration of the Art & Life of Luciano Pavarotti
Murray Beer
4 weeks, Wednesdays, August 6 - 27
   August 6: 1 - 3 pm
   August 13: 1 - 4 pm
   August 20: 1 - 3 pm
   August 27: 1 - 4 pm
Members: $45   Non-members: $60
   Spend Wednesday afternoons delving into the world of opera. This class will celebrate the life and art of the late Luciano Pavarotti, including biographical information, commentary, and video concert performances featuring Pavarotti. The full opera performances of La Boheme and Tosca will be viewed on August 13 and August 27, respectively. Those two classes will last an extra hour, until 4 pm. Champagne and desserts will be served during intermission.

Watercolor Painting - The Easy Way
Julie Siler Olander
4 weeks / Thursdays, August 7 - 28 / 6 - 8 pm
Members: $65   Non-members: $80
    This workshop will teach beginner through advanced students how to handle watercolor the easy way. The instructor will demonstrate use of the materials and methods, such as wet washes, dry washes, brush techniques and care of materials. Princliples of design and color mixing will be covered. You will then work from still life and photos to learn about how to leave light on subject matter. It is the easy way to get all you need to know to have fun with the paint and water.



GENERAL INFORMATION FOR CLASS REGISTRATION

Please register early! Enrollment is first-come, first-served basis.

To register online:
Click on appropriate underlined price.
To register by mail:
CCMA, P.O. Box 2034, Dennis, MA 02638
To register by phone:
508-385-4477 ext 25

CCMA members receive a reduction in class fees. Click here to
become a member.
Ask about our sibling discount.
Adult classes are open to high school students.

Materials lists are given upon class registration or will be provided at the first class session. Materials are provided for children's classes, unless otherwise noted. See class descriptions for specific information.

ALL CLASS AND WORKSHOP FEES ARE NON-REFUNDABLE UNLESS CLASS IS CANCELLED BY THE EDUCATION DIRECTOR.

For additional information regarding courses, please call Linda McNeill-Kemp, Education Director, at 508-385-4477 ext 25.

Cape Cod Museum of Art is not responsible for materials or artwork left on the premises.


Materials Lists for Selected Classes

Dry Pastel for the Beginner - Peter Richenburg
Set of dry pastels (the larger the better)
Paper will be provided (Bristol or cold-pressed watercolor paper)
Drawing board large enough for your paper
Sheet of medium sandpaper
Small chamois (4" x 4")

Calligraphy - Rick Paulus
Mechanical pencil
Ruler
Protractor
Eraser
#1 paint brush (poor quality, okay!)
Quality watercolor paints or gouache
Colored pencils (8-color set)

Landscape Painting; Paint What You Hear - Rick Fleury
SUPPLIES: Turpenoid cleaner and conditioner (green can)
Thickened linseed oil
Gesso and 1"-2" brush to apply
Several small canvases/canvas boards (5" x 7", etc.)
Larger canvases, if desired
Variety of brushes
Palette for paint and mixing (paper palette pads are very convenient)
Rags, paper towels
Empty coffee can with lid for used mediums
COLORS: Titanium white (large tube), Cobalt blue, Payne's gray, Olive green, Sap green, Yellow ochre, Pale yellow ochre, Raw umber, Burnt sienna. Optional: Indian red, Cadmium yellow light

Beginning and Basic Oil Painting - Christy King
Recommended colors: Ultramarine blue, Cadmium red medium, Alizarin crimson, Cadmium yellow light, Yellow ochre, Sap green, Burnt sienna, Burnt umber, Titanium or Zinc white (large tube)
Palette (wood or masonite or disposable papers)
Pallete knife
Two small jars with lids for oil and thinner; large glass jar with lid for used thinner
Turpenoid or paint thinner
Linseed oil
Brushes: variety of flats, rounds, filberts
Canvas: pad of canvas paper 9" x 12" for color mixing exercises; then you can use canvas board, masonite, stretched canvas, etc.
Soft rags, paper towels
Questions? Call 508-385-4477 ext 21

Water-Base Oils and Acrylics - Karen North Wells
For oils, my preference is Artisan water-base oils by Winsor Newton plus.
Stand oil made especially for water-base oils.  Stand oil gives paint a sheen plus makes them buttery in texture, quite creamy! Stand oil is NOT used with acrylics.  Or you may use Linseed oil instead of Stand oil with oils.  I just happen to like Stand oil.
For acrylics my preference is Liquitex.
For oils and acrylics I use pretty much the same colors as I do for watercolor except for a few differences.
Cadmium Lemon, Yellow Ochre, Cadmium Yellow Medium (optional), Cadmium Orange(optional), Cadmium Red Light or Cadmium Red, Cadmium Red Medium, Alizarin Crimson(optional)(good with Viridian Green to make black), Permanent Rose (used for flowers), (French) Ultramarine Blue, Winsor Blue (Phthalo Blue), Cerulean Blue, Viridian Green (Optional, but good with alizarin crimson to make black), Ivory Black mixed with lemon yellow to make green, Titanium White (I get large tubes because this is used the most of all the colors.)
I highlighted in bold the colors I think are absolutely necessary. Others can be bought later if needed.
Canvas(stretched) or Masonite or canvas board -- I coat canvas or Masonite(without waffle-like backing) with Gesso and then undercoat painting with cadmium red light acrylic paint before painting subject.  If canvas is already white, then it has already been primed with Gesso.
Brushes of all sizes and unlike watercolor, the cheaper the better- round, flat and filbert made for oil or acrylic paints
Lucite right-angle triangle (the larger the better for horizon lines)
Two jars or plastic 16 oz containers (filled with water if painting outdoors)
Paper towels
Palette made from Masonite, Lucite, plastic plates or disposable paper sheets that are made to use as a palette

Watercolor Painting - Karen North Wells
Palette: I have used Jones palette but like John Pike Big Well Palette because it is sturdier and has room for 1½" flat brush
Watercolors: I like Winsor Newton, but NOT their Cotman series
Cadmium Red, Cadmium Lemon (make sure it does not have titanium nickel), French Ultramarine Blue (for shading), Cerulean Blue (for skies), Winsor Blue (red or green shade; this is a Phthalo Blue I use for water), Prussian Blue (to mix with Lemon Yellow for green), Yellow Ochre (for sand, skin, sky and warm whites)
Optional colors, but needed eventually: Cadmium Yellow Pale, Cadmium Orange, Permanent Rose (for flowers), Alizarin Crimson
Brushes: I like Pro Arte, Langnickel, and Richeson
   Flat: ¼", ½", 1", 1½" (None of these you need right away except the 1½")
   Round: as small as #000 or #00 for signing name; also #10, #12, #16 and a larger one which is VERY important-Either a #20 or #24
   And a #1 or #2 rigger, but not necessary to start out
Paper: D'Arches Block 140 lb. cold or hot pressed (I buy blocks)
Other supplies: Masking fluid (I like "Incredible White Mask" from ASW), masking tape (if you don't use watercolor blocks), sponge or spray bottle (optional), paper towels, 2 water jars, #2 pencil, eraser (Eraser Staedtler Mars Plastic is terrific, sold at Staples)

Painting Still Life - Katherine Ann Hartley
Colors: Burnt Sienna, Raw Umber, Burnt Umber, Ivory Black, Ultramarine Blue, Yellow Ochre, Cadmium Yellow medium, Cadmium Yellow deep, Alizarin Crimson, Indian Yellow, White
Palette
Palette knife
Several small to medium filbert brushes, sizes 2 - 10
1 flat white sable 1" (optional)
Liquin - oil painting medium
Lightly toned board or canvas - toned with umber and blue with Liquin
Paper towels or rags; brush cleaner

Oil Painting with J. Vincent Diggs
Colors: Titanium White, Cobalt Blue, Payne's Gray, Olive Green, Yellow Ochre, Pale Yellow Ochre, Raw Sienna, Indian Red or Alizarin Crimson
Several gessoed canvases or canvas board
A variety of brushes
Palette for paint (disposable paper, wood, Plexiglas)
Assortment pack of sandpaper
Two small jars with lids
One large empty coffee can with lid
Turpenoid, linseed oil, stand oil
Rags and paper towels

Painting Oils with Primary Colors - Lance Walker
Colors: Cadmium Red Light, Ultramarine Blue, Cadmium Yellow Medium, Titanium White
Six pre-stretched canvases: 8" x 10", 9" x 12", or 11" x 14"
Odorless mineral spirits
Linseed oil
Two jars for mediums
Natural bristle brushes (flat or filbert) No. 2, 4, 6, 8, 10
Synthetic detail brush No. 2, 4
Palette
 

Landscape Painting in Oils - Robert Douglas Hunter    (Three-Day Workshop)
Colors: Titanium White, Cadmium Yellow Light (Rembrandt brand), Cadmium Orange, Cadmium Red Scarlet, Alizarin Crimson, Sevres Blue, French Ultramarine Blue, Viridian, Yellow Ochre
Plein air easel (outdoors)
Many brushes, various sizes
Turpentine, or eqivalent
Palette knife or scraper
Rags, paper towels and waste bags
Canvas panels: 10" x 16" or 14" x 18" or 16" x 20" (Two per day)

Watercolor Workshop - Kely Knowles
Colors: Permanent Alizarin or Quinacridone Rose, Cadmium Yellow or Cadmium Lemon, Phthalocyanine Blue or French Ultramarine Blue and Cobalt Blue
Brushes: #2, #8 round; 1" and 2" flat (or 1.5" flat)
D'Arches Watercolor 140 lb. paper (rough or hot press or cold press); block or single sheets
Masking tape (any width)
Any waterproof board (slightly larger that 1/4 sheet watercolor paper)
Paper towels or cotton rags
Paint palette or mixing tray (white ice cube tray)
2H pencil and dark soft pencil
Medium sketch pad
Kneaded eraser

Oil Paintings & Plein Air Art Instruction - David P. Curtis
Colors: Cadmium Red Light, Rose Madder or Alizarin Crimson, Cadmium Yellow Light or Lemon, Yellow Ochre, Viridian, Cerulean Blue or Phthalo Blue, Ultramarine Blue, Titanium White or Flake White
Outdoor easel
Brushes
Turpentine or medium
Paper Towels or painting cloths
Bag for used paper towels/cloths
Canvas or canvas board: 12" x 16", 16" x 20" or 18" x 20" are all useful sizes
This is a suggested list of materials. Feel free to add or substitute if you have personal preferences. Don't forget to dress appropriately for out-of-doors painting. Bring a hat, sun block, insect repellant and a water bottle.

Drawing Workshop  - Don Beal
6 sheets of 25"x19" charcoal paper
Stump (really thick)
Vine charcoal
Chamois (might be availlable at auto supply stores, it's cheaper)
masking tape
Clips to hold paper on boards
Drawing boards
Kneaded erasers
   
The vine charcoal is important. No synthetic or compressed charcoal!

Julie Olander's Watercolor Painting
Pencils: HB, #2B, #4B, #6 B (or Carpenter's thick pencil)
Erasers: putty & Mylar or art gum
Exacto knife or fine sand paper to sharpen pencils- light color
Good drawing paper- at least 8 x 10
Watercolor paper: 140 # rough, 14 x 18 or larger, or single sheets
Board on which to mount paper
Clips or masking tape
Large bath towel to prop under board
Arches professional "artist" tubes of watercolors, gouache, acrylic (whichever you prefer)
Variety of brushes:  flats: 1/4", 1/2", 1" and rounds 6, 10, 16 and a rigger brush. Liquitex, Richeson, Loew-Cornell, Robert Simmons, Winsor-Newton are all good quality brands.
Spray bottle with fine spray
Two water containers (plastic is fine)
Watercolor paints - Winsor & Newton - a tube of warm and a tube of cool of red, yellow and blue.


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